Some Resources for Understanding Your Financial Aid Letter

You’ve made it! Auditions are done, and you’ve received the good news that you (or your students) are being offered admission to several schools. The next step, though, can be the most confusing of all—how to evaluate offers of financial aid and scholarship. There are two important points to understand.

  1. The difference between official vs unofficial offers: Until you receive the official information from the Office of Admission and the Office of Financial Aid, you should not trust any “offer.” I say this because in the performing arts, faculty members interact with applicants more so than in regular college admissions. There are master classes, sample (consultative) lessons, and studio classes where applicants and faculty may connect. You might play in a master class and the teacher says, “I want to admit you to my studio and I’ll make sure you get a full scholarship!” While this is encouraging, it is not real until you apply and receive the official offer of admission and financial aid/scholarship.

  2. Schools have budgets, too: If you crunch the numbers and come up short, contact the financial aid office at the school where you want to enroll and ask if there is any more help available. There may be, and having the conversation with the school is important. However, multiple requests for more aid do not necessarily result in more funds. Be clear about what you need the first time you appeal, and the school will do what it can to help you.

Federal Resources

An important part of most financial aid offers is federal aid. If you completed the FAFSA, you have applied for federal aid. Since the aid is, by definition, federal, the best place to look for information is on federal websites. Here are a few:

Other Resources

  • Student aid may include state aid as well as federal aid. For example, New York State offers TAP grants and Texas has a state aid application similar to the FAFSA.

  • NACAC (the National Association for College Admission Counseling) has a 23-minute podcast called “Understanding Financial Aid Award Letters.” NACAC membership includes both high school counselors and college admissions staff members, all of whom are dedicated to making the journey to college accessible and understandable.

  • NASFAA (the National Association of Student Financial Aid Administrators) also supports transparency and accessibility to information about student aid. Their resource page for students and parents includes a link to an Aid Offer Comparison Worksheet. The worksheet has a very helpful glossary of terms to help you understand the (sometimes impenetrable) language of financial aid.

Making sense and making decisions are challenging tasks when it comes to college enrollment. There are many resources available, but the links above will take you to expert information. And if you need to talk with someone, remember that the professional staff members in a school’s office of financial aid are there to help.

Kathleen Tesar, EdD

Kathleen Tesar has a wide range of experience as both a performer and an administrator in higher education. Currently the Associate Dean for Enrollment Management at The Juilliard School, she oversees the offices of Admissions and Financial Aid. Her responsibilities include recruiting and enrolling the incoming class each year, overseeing the prescreening and audition processes, chairing the Admissions Committee, and serving on the Scholarship Committee.

Her first job after completing her Bachelor of Music degree at the Eastman School of Music was as a violinist in the Orquesta Sinfonica Municipal in Caracas, Venezuela. Moving back to the US, Dr. Tesar spent many years as assistant principal second violin in the Alabama Symphony. As a violin teacher, Dr. Tesar was on the faculty of the Alabama School of Fine Arts and Eastern Music Festival in North Carolina, and maintained a small private studio in Birmingham.

Moving into administration, Dr. Tesar was Director of Admissions first at Eastern Music Festival and then at the Eastman School of Music of the University of Rochester. She worked at the Colburn School for twelve years, her last title as Associate Dean of the Conservatory, and from there went to the University of Southern California Thornton School of Music as Coordinator of the 2016 Piatigorsky International Cello Festival.

In addition to these orchestral and administrative positions, Dr. Tesar was a Fellow at Tanglewood Music Center, and spent several summers as a member of the orchestra at the Spoleto Festival in South Carolina and Italy. She earned her Master of Music degree from the Catholic University of America, and her Doctor of Education (EdD) in Organizational Change and Leadership from the University of Southern California Rossier School of Education. Dr. Tesar’s dissertation focused on identifying and recruiting underrepresented students in pre-college classical music programs.

Previous
Previous

It’s Decision Time!

Next
Next

6 Expert Tips You Need to Remember When Applying to Music School